FOSSA ABISSAL | Guided tour and concert
21 Julho 2024 17h00
![](https://zaratan.pt/images/user/image17213092973120.jpg)
FOSSA ABISSAL | Guided tour and concert
Free entry
Free entry
On July 21st we celebrated the closing of the first part of the “Fossa Abissal” exhibition with a guided tour and a concert:
>>> GUIDED TOUR | 17:00h
Organized in a partnership between Zaratan - Arte Contemporânea, the Post-Graduation in Sound Art and the Associação Goela, “FOSSA ABISSAL” is a bipartite event held over two months as part of the 6th edition of the Post-Graduation in Sound Art: Experimental Processes at the Faculty of Fine Arts of the University of Lisbon.
“FOSSA ABISSAL - 1st Moment” brings together a set of works by Stephanie Monica, Carolina Garfo, Mariana Pinho and Clara Tehrani. The visit to the creative imagery and pieces that make up the exhibition is led by the artists themselves and mediated by postgraduate teachers.
Organized in a partnership between Zaratan - Arte Contemporânea, the Post-Graduation in Sound Art and the Associação Goela, “FOSSA ABISSAL” is a bipartite event held over two months as part of the 6th edition of the Post-Graduation in Sound Art: Experimental Processes at the Faculty of Fine Arts of the University of Lisbon.
“FOSSA ABISSAL - 1st Moment” brings together a set of works by Stephanie Monica, Carolina Garfo, Mariana Pinho and Clara Tehrani. The visit to the creative imagery and pieces that make up the exhibition is led by the artists themselves and mediated by postgraduate teachers.
>>> CONCERT | 18:00h
“pieces of the street
resonator fluid flow piping
and blow
from mouth to
outside the satellite dish never stops”
“pieces of the street
resonator fluid flow piping
and blow
from mouth to
outside the satellite dish never stops”
Vicente Consta and Rodrigo Martins, postgraduate students in sound art, come together in a concert with DIY instruments built from recycled materials.
BIOS: Vicente Costa investigates sound through the wind, the saxophone and constructed instruments, and through listening, with field recordings and collective creation of artistic events that bring together conviviality and listening. He develops some of these practices in the tundra collective (cacilhas) and in other collaborative contexts.
Rodrigo Martins focuses on sound as a subject in constant change. From sound design, acoustic and electronic experiments. Nurtured by recording, analog equipment and DIY, he builds instruments and makes music with what is at hand.
Rodrigo Martins focuses on sound as a subject in constant change. From sound design, acoustic and electronic experiments. Nurtured by recording, analog equipment and DIY, he builds instruments and makes music with what is at hand.
SUPPORT | República Portuguesa – Cultura / Direção-Geral das Artes